CREATING IN THE DARK

I sit up and create something beautiful all night. It’s all ink. But tonight I experiment with all sorts of chemicals, aka as stuff in the kitchen, that can break the tension of the water. I also add real gold to the thing.

What I create is art in the suminagashi style, or Japanese marbling. Art on the back of Tarot cards. Each back of the card tells a unique story.

After washing the cards several times in all sorts of concoctions,  I create a magic mix straight out of the Picatrix. The green blinds me almost, even though I work by candle light and it’s 2 AM in the morning.

picatrix

I marvel at the stuff. Since I’m heavily myopic, and now that I’ve passed 50 I can see that I need thicker and thicker reading glasses too, I might as well welcome the blinding effect of a magical potion.

The thing about having ‘bad’ eyes, and yet wanting to create beauty in the world, is that when you insist on wearing no glasses for any of it, you get to discover furthermore the magic of stumbling into grace.

Most of the time when I handle my inks I’ve no idea what I’m looking at. I never wear any of my glasses. But I work with a sense of utmost precision, control, and faith in the breaking point of whatever chemical I happen to use at the time, from yeast to baking powder, absinthe of high percentage alcohol, or black tea of the most expensive kind.

Some would say, ‘surely you don’t waste such luxury on creating backs for your cards.’ My answer to this would be, ‘surely I would, since the backs of the cards can be as interesting as the front, and especially since I can hardly see anything. At least I can smell it. Even gold has an interesting smell…’

And then, there’s nothing like experiencing how chance maps unto culture. For instance, I’m amused by the fact that the title card, featuring the Devil, got an Angel on its back. This was not planned and happened entirely at random.

The cards I’m talking about are quite magical. They are inspired by and dedicated as an hommage to Yamamoto Masao, to whom I’m greatly indebted. I made them exclusively as a celebration of myself for my 50th birthday. You can read about the process in my Patheos essay, or see a short video below from my instagram feed.

Yamamoto sensei is getting the finest cut, and although I can imagine his cringe – I’m a digital manipulator of light, rather than going all analogue and gelatin silver as he does – I know exactly why he would also appreciate my effort.

The theme of my cards is erotica, so they’re particularly prone to be read in connection with either your most sensual desires, or sex issues.

Although these cards are not made to share or capitalize on, I’ll be reading with them at the upcoming online Fortune-Teller’s Fair.

The fair is an event created to support the Aradia Academy alumni, by giving them an opportunity to display their skills according to the principles of reading like the Devil.

The general public is invited to the fair and to the experience of snappy readings. The backbone of the fair is an extended lesson in what it means to go for the clean cut, as opposed to a whole lot of waffling, which is often the challenge of many an otherwise brilliant fortune-teller.

The idea is to read the cards according to what you see, not according to what you know.

I’m among the 17 fortune-tellers, and ready to read your fortunes with two of my most unique decks that no one has: the Carolus Zoya cards, and my newest, the Tarot Interdit.

I hope you’ll check out the Fortune-teller’s Fair, and support the brilliant, honest, and snappy readers, ready to answer any questions your might have for 6 hours straight. The admission price to the whole event is $20.

Make something beautiful, and make sure to also keep going if you find that you have excess ink. Mine here turned into a fine samurai.

Stay in the loop for more upcoming cartomantic events.

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